{"id":2943,"date":"2018-11-30T12:00:00","date_gmt":"2018-11-30T11:00:00","guid":{"rendered":"https:\/\/museodiocesano.test\/?post_type=mostra&#038;p=2943"},"modified":"2026-10-29T14:26:51","modified_gmt":"2026-10-29T13:26:51","slug":"antonio-campi-the-restoration-of-the-altarpiece-of-santa-maria-degli-angeli-in-milan-2018","status":"publish","type":"mostra","link":"https:\/\/museodiocesano.it\/en\/exhibitions\/antonio-campi-the-restoration-of-the-altarpiece-of-santa-maria-degli-angeli-in-milan-2018\/","title":{"rendered":"Antonio Campi. The restoration of the altarpiece of Santa Maria degli Angeli in Milan"},"content":{"rendered":"\t<div class=\"exhibition-hero\">\n\t\t<div class=\"exhibition-hero__breadcrumb\">\n\t\t<nav class=\"museum-page-breadcrumb wp-block-diocesano-theme-breadcrumb\" aria-label=\"Breadcrumbs\">\n\t<ol>\n\t\t<li><a href=\"https:\/\/museodiocesano.it\/en\/\">Home<\/a><\/li>\n\t\t\t\t\t<li><a href=\"https:\/\/museodiocesano.it\/en\/exhibitions\/\">Exhibitions<\/a><\/li>\n\t\t\t\t<li aria-current=\"page\">Antonio Campi. The restoration of the altarpiece of Santa Maria degli Angeli in Milan<\/li>\n\t<\/ol>\n<\/nav>\n\t\t<\/div>\n\t\t<div class=\"exhibition-hero__panel\">\n\t\t\t<div class=\"exhibition-hero__copy\">\n\t\t\t\t<p class=\"exhibition-hero__status\">Past exhibition<\/p>\n\t\t\t\t<div class=\"exhibition-hero__date\">From 30 November 2018 to 13 January 2019<\/div>\n\t\t\t\t<h1>Antonio Campi. The restoration of the altarpiece of Santa Maria degli Angeli in Milan<\/h1>\n\t\t\t\t<div class=\"exhibition-hero__subtitle\"><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"exhibition-hero__extra\"><p><em>Curated by Museo Diocesano di Milano<\/em><\/p><\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"exhibition-hero__image\">\n\t\t\t<img decoding=\"async\" width=\"1800\" height=\"1614\" src=\"https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1.webp\" class=\"attachment-full size-full wp-post-image\" alt=\"Saint Catherine visited in prison by Empress Faustina, painting by Antonio Campi\" loading=\"eager\" fetchpriority=\"high\" sizes=\"(max-width: 767px) 100vw, 50vw\" srcset=\"https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1.webp 1800w, https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1-300x269.webp 300w, https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1-1024x918.webp 1024w, https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1-768x689.webp 768w, https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1-1536x1377.webp 1536w\" \/>\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\t\t<nav class=\"exhibition-section-nav\" aria-label=\"Exhibition sections\"><ul>\n\t\t\t\t\t\t\t<li><a href=\"#mostra\">Exhibition<\/a><\/li>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul><\/nav>\n\t<div id=\"mostra\" class=\"wp-block-columns exhibition-content-columns is-layout-flex wp-container-core-columns-is-layout-02c2109c wp-block-columns-is-layout-flex\" style=\"margin-top:0;margin-bottom:var(--wp--preset--spacing--80)\"><div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><h2 class=\"wp-block-heading has-primary-color has-text-color has-h-3-font-size\" style=\"margin-bottom:var(--wp--preset--spacing--40)\">Exhibition<\/h2><p class=\"is-style-summary wp-block-paragraph\" style=\"margin-bottom:var(--wp--preset--spacing--40)\">The monumental painting by Antonio Campi (1524-1587) depicting\u00a0<em>St. Catherine visited in prison by the Empress Faustina<\/em>\u00a0has arrived at the museum: a unique opportunity to admire the enormous canvas (400\u00d7500 cm) by the Cremonese master, before its relocation to the Milanese church, from which it originally came.<\/p><p class=\"wp-block-paragraph\" style=\"margin-bottom:var(--wp--preset--spacing--40)\">Conservator Delfina Fagnani explains that, during five months of work, \u201cthe usual preliminary scientific examinations immediately revealed highly interesting information about Antonio Campi\u2019s technique: the diamond-weave canvas, the precise preparatory drawing and the surprisingly rich and varied palette. These findings were subsequently confirmed during the lengthy, repeated cleaning of the paint surface\u2014the previous restoration dated back a century\u2014both in the overall recovery of a distinctly sixteenth-century palette and in the striking modernity of the painted details, which Campi explores and emphasizes with focused attention and a playful spirit.\u201d<br><em>Saint Catherine Visited in Prison by Empress Faustina<\/em> belonged to a cycle painted in 1584. Together with its companion painting, the <em>Martyrdom of the Saint<\/em>, it decorated Countess Porzia Landi Gallarati\u2019s family chapel, the first on the right in the Milanese church. The chapel also contained other works, including Gaudenzio Ferrari\u2019s theatrical altarpiece, now in the Pinacoteca di Brera.<\/p><p class=\"wp-block-paragraph\" style=\"margin-bottom:var(--wp--preset--spacing--40)\">The scene simultaneously portrays two different episodes taken from the <em>Golden Legend<\/em> by Jacopo da Varazze: the visit of the empress Faustina to Saint Catherine of Alexandria in prison and that of the angels.<br>It is said that the young Catherine faced the emperor Maxentius in an attempt to convert him. He, unable to reply to the saint&#8217;s arguments on his own, sent fifteen philosophers to Alexandria, but Caterina managed to convert them. The emperor, angry, locked her in prison where she was miraculously cured by angelic figures. One night Faustina, wife of Maxentius, accompanied by Porphyry, captain of the guard and his retinue, went to visit the young woman in prison. Here, struck by the vision of angels surrounded by a supernatural light, all those present converted to Christianity.<br>The painting is characterized by an extraordinary and innovative use of light. The nocturnal setting of the scene favors, as Raphael had already suggested in the Liberation of Saint Peter frescoed in the Vatican rooms, the introduction of three different lights: the natural one (of the moon), the artificial one (of the lamp and the torch) and the supernatural one (of the angels and the saint).<br>The unification of two different episodes (the visit of the empress and, at the same time, the arrival of the angels) favors the play of light, which allows the slow revealing of the complex architectural structure expertly set also from a perspective point of view. In fact, the flashes of light lead the gaze to continue from the foreground to the distant loggia that can be glimpsed in the background.<\/p><p class=\"wp-block-paragraph\" style=\"margin-bottom:var(--wp--preset--spacing--40)\">The work arrives at the Museo Diocesano in Milan, after having been restored to its former splendor by the Credito Bergamasco Foundation &#8211; in five months of careful work carried out at Palazzo Creberg (Banco BPM Bergamo) by the restorer Delfina Fagnani-Sesti Restauri &#8211; and then exhibited to the public in the same location as part of its multi-year &#8220;Grandi Restauri&#8221; project.<\/p><\/div><div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><figure class=\"wp-block-image size-full\" style=\"margin-bottom:var(--wp--preset--spacing--30)\"><img loading=\"lazy\" decoding=\"async\" width=\"1800\" height=\"1614\" src=\"https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1.webp\" alt=\"Saint Catherine visited in prison by Empress Faustina, painting by Antonio Campi\" class=\"wp-image-2944\" srcset=\"https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1.webp 1800w, https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1-300x269.webp 300w, https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1-1024x918.webp 1024w, https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1-768x689.webp 768w, https:\/\/museodiocesano.it\/wp-content\/uploads\/2026\/10\/antonio-campi-il-restauro-della-pala-di-santa-maria-degli-angeli-a-milano-2018-1-1536x1377.webp 1536w\" sizes=\"auto, (max-width: 1800px) 100vw, 1800px\" \/><\/figure><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The monumental painting by Antonio Campi (1524-1587) depicting\u00a0St. Catherine visited in prison by the Empress Faustina\u00a0has arrived at the museum: a unique opportunity to admire the enormous canvas (400\u00d7500 cm) by the Cremonese master, before its relocation to the Milanese church, from\u2026<\/p>\n","protected":false},"featured_media":2944,"template":"","meta":{"_acf_changed":false},"class_list":["post-2943","mostra","type-mostra","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.8 (Yoast SEO v28.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Antonio Campi. 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