Collection
Explore all the works in the permanent collection by artist, period and technique.
Discover a thousand-year heritage of sacred art.
Masterpieces
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32 artworks
Bernardo Daddi
- All artists
- Filippo Abbiati
- Floriano Bodini
- Bottega dell'Europa Nord-Occidentale (?), prima metà del XIII secolo (?)
- Bottega limosina (?) – Bottega milanese (?), fine secondo decennio del XIII secolo
- Bottega lombarda, seconda metà X sec.
- William G. Congdon
- Giovanni Battista Crespi, detto il Cerano
- Bernardo Daddi
- Ambrogio da Fossano, detto il Bergognone
- Anovelo da Imbonate
- Antonio d’Errico, detto Tanzio da Varallo
- Marco d’Oggiono
- Lucio Fontana
- Sebastiano Galeotti
- Francesco Hayez
- Incisore della metà del IV secolo d.C.
- Wenzel I Jamnitzer
- Stefano Maria Legnani, detto il Legnanino
- Francesco Londonio
- Emilio Longoni
- Alessandro Magnasco
- Pierfrancesco Mazzuchelli, detto il Morazzone
- Gherardo di Jacopo Neri, detto Starnina
- Giovanni Paolo Panini
- Simone Peterzano
- Gaetano Previati
- Giulio Cesare Procaccini
- Guido Reni
- Jacopo Robusti, detto il Tintoretto
- Scultore della Liguria di Ponente, metà del XV secolo
- Willem (Guillam) van Leefdael
- Francesco Zuccarelli
Hypogeum
- All locations
- Alberto Crespi Gold-Ground Collection, first floor
- Archconfraternity of the Blessed Sacrament Room, ground floor
- Crossing, ground floor
- Grand Staircase
- Hypogeum
- Lucio Fontana Room, ground floor
- Marcenaro Collection, first floor
- Monti Collection, first floor
- Pozzobonelli Collection, first floor
- Riccardi Collection
- Saint Ambrose, ground floor
- Sala Test
- Schubert Collection, first floor
- Sozzani Collection, first floor
- Visconti Collection, Crossing, ground floor
- Visconti Collection, first floor
- Works from the Diocese, first floor
- Works from the Diocese, first floor
- Works from the Diocese, ground floor
- Works from the Diocese, hypogeum
- Works from the Diocese, hypogeum
- Works from the Diocese, Londonio Nativity Scene, first floor
- Works from the Diocese, Treasury of Saint Nazarius, ground floor
Greified terracotta
- All techniques
- Ballpoint pen on straw-colored paper, wove
- Bistro pen on prepared paper
- Black chalk, pastel or white chalk on blue-grey paper
- Black charcoal on ocher paper, integrated in the margins
- Black pencil and chalk on dyed paper
- Black pencil and pastels on paper
- Black pencil and traces of white chalk on light blue paper, squared for transfer
- Black pencil on ocher paper
- Black pencil, black chalk and pastel or white chalk (recto); Black pencil, black chalk and red pencil
- Black pencil, charcoal and white lead on blue paper
- Black pencil, ink and white highlights on brown paper
- Black pencil, pastel, and watercolour on paper
- Black pencil, red pencil, natural chalk on photodeteriorated cerulean paper
- Black pencil, white chalk, gray pastel and watercolour on light blue prepared paper
- Black pencil, white lead and watercolour on paper;
- Bronze
- Bronze, cast in 1988 from the original plaster
- Brown ink and white lead on ocher prepared paper
- Brown ink in pen and watercolour on paper
- Brown ink in pen and watercolour on paper, backed
- Brown ink with pen, watercolour, white gouache on paper, grounded
- Brown pen and blue-grey watercolour on paper composed of two sheets
- Brown pen on paper
- Brush ink on laid paper
- Carved and gilded wood
- Carved and gilded wood, embossed and silvered metal sheet, colored glass
- Carved and painted wood
- Carved and painted wood, rope;
- Carved and silvered wood
- Carved Angera stone
- Carved elm wood
- Carved wood
- Carved wood with traces of polychromy
- Carved wood, silvered and meccaded
- Carved, caulked wood
- Carved, gilded and painted wood
- Carved, inlaid, painted and lacquered walnut, ca. 112 x
- Carved, painted and gilded wood
- Carved, painted and gilded wood
- Carved, stuccoed and painted wood
- Cast and chased silver, partially gilded
- Cast and embossed silver
- Cast brass, embossed and silvered, partially gilded
- Cast brass, silvered, partially gilded, colored glass and resin gems
- Cast embossed metal, silvered and gilded
- Cast metal, chased and gilded
- Cast silver, chased and gilded
- Cast silver, partially gilded
- Cement
- Champlevé enamels on gilded copper foil
- Champlevé enamels on gilded copper foil, metal (brass?)
- Charcoal and pastels on wove paper with PM watermark (Fabriano)
- Charcoal and white body color on paper, backed
- charcoal on laid paper, backed
- Charcoal on paper
- Charcoal on wove paper with watermark
- Charcoal, red pencil and oil or acrylic, on straw-coloured paper (in particular fibre), wove
- Chiseled and silvered metal, partly gilded;
- Chiselled, engraved and silvered cast metal
- Collage with newspaper and tempera on wove paper
- Colored pencils (recto) and lithograph (verso) on wove paper
- Detached fresco
- Ebony type wood, silver, semiprecious stones
- Embossed and chased copper foil, silvered on a wooden core
- Embossed and chased metal sheet, gilded, silver roundels at the knot
- Embossed and chased silver, partially gilded
- Embossed and engraved silver
- Embossed and engraved silver, partially gilded, gems
- Embossed metal (brass) and silvered
- Embossed silver
- Embossed silver with gilding
- Embossed, cast, chased silver
- Embossed, chased and gilded copper foil on a wooden core (re-gilded), gilded cast metal
- Embossed, chased and gilded copper foil on a wooden core, gilded cast metal
- Embossed, chased and gilded copper foil on a wooden core, gilded cast metal
- Embossed, chased and gilded metal
- Embossed, chased and gilded metal sheet on wooden core, gilded cast metal, glass gems in setting
- Embossed, chased and gilded silver
- Embossed, chased and punched silver
- Embossed, chased and silvered metal
- Embossed, chased and silvered metal sheet
- Embossed, chased, galvanically gilded metal sheet on a wooden core, cast and gilded metal
- Embossed, chased, partially gilded silver
- Embossed, chased, silvered, partially gilded copper
- Embossed, chased, silvered, partially gilded metal
- Fresco detached using the strappo technique
- Fresco detached using the strappo technique and transferred to canvas
- Fusion metal, silver and gold, silver, glass, crystal, gems
- gilded bronze
- Glazed ceramic
- Gold and silver metal foil, embossed and engraved, remains of enamel in the roundels at the knot, traces of galvanic gilding
- Gold canvas embroidered with polychrome silk threads, spun silver, pearls, four fused silver clasps, 5 polychrome silk markers concluded with small silver cylinders
- Graffiti gold glass, illuminated scrolls, carved and gilded wooden frame
- Greified terracotta
- Illuminated parchment codex
- Indian ink and tempera retouching on wove paper
- Indian ink on unlined note paper
- Ink and pen on paper;
- Lead
- Limestone
- Member
- Monochrome watercolour on wove straw paper
- Oil and tempera on wood
- oil on canvas
- Oil on canvas (originally on panel)
- Oil on copper
- Oil on hardboard
- Oil on panel
- Oil on paper glued on board
- Painted and gilded terracotta
- Painted and gilded wood
- Painted stucco
- Painted terracotta
- Partly gilded cast silver
- Pastel and red pencil on ocher paper
- Pastel on blue-grey paper;
- Pastel on paper
- Pastels on paper, applied to canvas and mounted on a frame.
- Patinated plaster
- Pen and brown ink on parchment
- Pen and brush ink on laid paper;
- Pen and ink on paper
- Pen and metallic ink on paper
- Pen and sepia ink on paper
- Pen and thin watercolour on paper dyed light ocher on the recto
- Pen and watercolour on paper
- Pen ink and watercolour on paper
- Pen ink on paper
- Pen ink, brown watercolour and white gouache on paper
- Pen ink, watercolour and white lead (or white gouache) on paper
- Pen ink, watercolour and white lead highlights on cerulean-grey dyed paper
- Pen on paper, backed
- Pen, bistro washed ink
- Pen, black ink, pencil and watercolour on paper
- Pen, black ink, watercolour and white gouache on brown prepared paper
- Pen, brown ink and watercolour on paper
- Pen, brush, white lead on prepared paper
- Pen, sepia ink and light white gouache on paper, backed
- Pen, watercolour and gouache on paper
- Pen, watercolour, white lead on prepared paper
- Pen, watercolour, white lead on prepared paper glued on board
- Pencil and brown pen on paper
- Pencil and brown watercolour on laid paper, backed
- Pencil and metallic ink on laid paper
- Pencil and pen ink on paper, backed
- Pencil and watercolour on laid paper
- Pencil and watercolour on wove paper
- Pencil and watercolour on wove paper, (recto and reverse)
- Pencil and watercolours on industrially produced drawing paper
- Pencil on laid paper
- Pencil on laid paper with watermark
- Pencil on paper
- Pencil on paper with partial watermark
- Pencil on paper, backed
- Pencil on wove paper with watermark
- Pencil, chalk, pastel on paper
- Pencil, chalk, pastel on prepared paper
- Pencil, metallic pen ink and watercolour on laid paper with watermark
- Pencil, pen ink, watercolour and white lead highlights on laid paper, backed
- Pencil, watercolour and ink on brown-ochre, wove paper
- Plaster
- Plate and cast silver, chased, partially gilded
- Plate silver engraved with gilding
- Polychrome bronze
- Polychrome stucco
- Red or sanguine pencil on light brown/ochre laid paper
- Red pencil (or sanguine?) on paper, backed
- red pencil and pastel or white chalk (recto), red pencil (verso) on paper
- Red pencil and white chalk on paper
- Red pencil and white pastel on paper dyed light ocher;
- Red pencil on paper
- Red pencil, pencil and pastel or white chalk on paper;
- Sanguine and brown pastel
- Sanguine and white lead on paper
- Sanguine and white pastel on brown laid paper
- Sanguine and white pastel on cerulean paper
- Sanguine on laid paper
- Sanguine on paper
- Sanguine on paper, counterfounded
- Sanguine on pink dyed paper, backed
- Sanguine on red prepared paper
- Sanguine or red pencil
- Sanguine or red pencil and pencil with traces of white pastel on laid paper, backed
- Sanguine or red pencil and white pastel on laid paper
- Sanguine or red pencil on laid paper, backed
- Sanguine or red pencil on light brown-ochre laid paper
- Sanguine or red pencil on light brown-ochre laid paper, backed
- Sculpted marble
- Silk satin, embroidered
- Silver foil engraved on a wooden core, applications in cast gilded metal
- Silver-plated cast metal, partially gilded, enamels
- Silver, embossed and chased metal, silvered and gilded, on a wooden core
- Silver?
- Silvered copper, filigree, champlevé enamel, cloisonné enamel, niello (?), rock crystals
- Silvered copper; cast bronze (?)
- Soft black pencil (or charcoal?) and white pastel on cerulean laid paper, backed
- Stamped and cast silver, embossed and chased
- Stucco
- Tempera and gold on panel
- Tempera and paper on cardboard
- Tempera on brown paper
- Tempera on canvas
- Tempera on cardboard
- Tempera on panel
- Tempera on paper and cardboard
- Tempera on parchment
- Terracotta high relief
- Traces of pencil and metallic ink in pen on paper
- Traces of pencil and pen ink on paper;
- Traces of pencil, pen and watercolour on paper
- Watercolour on English cardboard
- Watercolour on paper
- Watercolour on wove cerulean paper
- Watercolour on wove paper
- Watercolours and pastels on wove paper
- White gouache and dark brown watercolour on wove brown dyed paper
- Wood (poplar?) with pastiglia decoration, partially gilded
- Wood with traces of polychromy
- Wool warp, wool and silk weft
No artworks match your search and filters.
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Admission
Full price: €10.00
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Families: €25
Opening hours
Tuesday – Sunday:
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Ticket office closes:
17:30
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Piazza Sant’Eustorgio 3
Milan
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